'F**k AI': Mick Gordon Ready to Return to DOOM, But Under One Strict Condition

Mick Gordon does not mince words. The sonic architect behind the seismic, industrial soundtracks of DOOM (2016) and DOOM Eternal has delivered a blunt verdict on generative artificial intelligence in music creation. Two raw words: "F**k AI." While tech conglomerates and video game executives rush to experiment with automated composition algorithms, the Australian musician is firmly drawing a line in the sand to defend organic craftsmanship, human grit, and physical instruments.
Craftsmanship vs Algorithms: Why Sonic Violence Requires Human Hands
For Mick Gordon, the devastating punch of DOOM's most iconic riffs does not come from mathematically polished waveforms. It comes from friction. Vintage Soviet distortion pedals driven past their breaking point, modular analog synthesizers pushed into unstable oscillations, and custom nine-string guitars struck with unbridled aggression: every note carries an intention, a physical accident, and a human pulse that no machine can duplicate.
Gordon directly challenged the corporate fantasy of prompt-based musical generation. Generative models operate by scraping, digesting, and averaging millions of human performances into sanitized sound files. Yet legendary tracks such as BFG Division and Rip & Tear owe their cultural longevity to unpredictability and chaos. The kinetic violence of a heavy pick strike, the micro-delays of live drumming, and the raw tension of an artist chasing a sound until dawn cannot be replicated by mathematical statistical models.
Taking DOOM on the Road: A Worldwide Live Metal Orchestra
Rather than confining the debate to interviews and social media exchanges, Gordon intends to prove his point with crushing decibels. The composer officially revealed plans to bring the legendary DOOM catalogue to stages across the globe through a full-scale international live concert tour. The production will feature a powerhouse live metal band performing shoulder-to-shoulder with a complete symphonic orchestra.
This live tour is engineered as a direct physical counterweight to digital homogenization. Feeling sub-bass frequencies rattle your ribcage and witnessing elite human performers lock into punishing rhythms in real time delivers an irreplaceable sensory shockwave. Gamers and metalheads tracking the upcoming industry milestones on the video game release calendar will recognize this tour as an ultimate test of musical authenticity.
Returning to the DOOM Franchise: "In a Heartbeat," Under One Non-Negotiable Rule
The conversation inevitably turned to whether Gordon would ever step back into the studio to compose for a future installment of the DOOM saga. Following the well-documented fallout surrounding the official soundtrack release of DOOM Eternal, many assumed the bridge had burned completely. Gordon's response was surprisingly direct: he would return "in a heartbeat."
However, that willingness comes with an absolute condition. Gordon made it clear that any future collaboration would require complete mutual respect, crystal-clear communication from day one, and total artistic integrity free from corporate shortcuts. For Gordon, the sound of the Slayer is forged in human fire, and no algorithmic prompt will ever capture that fury.



















